by Mark Belair
From where the baby was being held in her mother’s arms, the cherry tree buds
trembled too far away for her to grasp, try as she might, her mother—distracted
by cell-phone talk—keeping her anchored with an abstracted grip,
the baby straining forward while wriggling and pointing and swinging
at the fluttery petals her fingers failed to touch.
So the baby finally reached out to the scalloped pink loveliness
in the only way left: in a burst of gibberish
made up of words made up to engage this spray of spring,
eloquent nonsense that the baby, lurching up, amplified upon
with yet more elaborate inventions, her voice by then all but in song
trilling lyrics that connected her to the wondrous flowers while
also connecting her, it seemed, to the wondrous reach of words.
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